Duets by Peter Quilter   April 2022
Duets by Peter Quilter   April 2022

DUETS:

Blind Date
Early evening and there is a knock at Jonathan's door. Wendy has arrived for their first date, arranged through a magazine advertisement, as these things once were.
Both feel somewhat left out of life, and have also been bruised by their previous experience of arranged dating, so they are understandably wary. Nervousness
leads them to reveal perhaps more of their real selves than they originally intended, but perhaps revelation is the key to a more trusting relationship......?

Secretarial Skills
Barrie is a well-off and cultured New Yorker. Janet is his long-time PA, used to organising his life and knowing pretty much everything about him. Barrie is that rarity, a good-humoured, kind and considerate rich boss. On the occasion of his birthday, what more can they do for each other?


The Holiday
Shelley and Bobby might be most of the way through a
divorce, but that doesn't mean they are ready to throw away the cost of the holiday they booked before it all
went pear-shaped. So far they have kept the lawyers out of it, but might the tensions of partying hard in a Spanish resort throw up some hidden resentments that
only the courts can resolve? Some might wonder why they ever got married in the first place, but there's no accounting for love

show details

Review by Nigel Mason

3 Acts, 3 sets of 2 players, 3 situations - Present day.
First is Blind Date where the couple, following each of them placing an advert in a lonely-hearts magazine column, meet in his (Jonathan's apartment). This is obviously a single man's place - sofa, 2 chairs, hideous yellow lamp on the side. A front door through which Wendy arrives complete with a huge lump of cheese ("Well I don't drink wine" she explains) and a second door inviting unspoken possibilities ("save it till I go to bed - whoops!"). They nervously dance around each other and move into a dance conclusion agreeing to continue beyond their agreed "15 minutes" - to dinner, even dessert and coffee. Howard Eilbeck and Suzanne Dunstan play the couple wonderfully. They have been here before, neither have high hopes but their relationship could actually work. I loved Suzanne's delight that she too could clap her hands and the music began; and especially liked Howard's impassioned "I wanted to win first prize!" The way they moved around the room was well-directed - and well done sound for your timing: not only dance music upon demand, but telephone and mobile ringing ("Paul" and "Pauline" - friends for emergency the daters confess). A good start for the evening.
Secretarial Skills is the next play and this time the duet is American rich gay Barrie and his devoted secretary Janet enjoying looking after him. Wedding bells offstage and Barrie cynical with some fabulous lines which made us laugh. Alan Caig and Chris Eilbeck were excellent and their accents consistent and confident. I loved their costumes (Janet's great red shoes set against her white blouse and black skirt - "fairly scary" says Barrie at one moment). Barrie is the closest Janet will have to a husband and their kiss scene was wonderfully performed. The single set had received great changes (Janine Warre, stage manager, well done)- notably the window scene, drinks stand (for Barrie's birthday) and conveying the air of cultured décor and ambience. It was a really enjoyable watch.
Third and final play (there is a fourth apparently but this wasn't "on" - a promise perhaps for the future). This last play for us was The Holiday - to finalise their divorce, rather than hiring solicitors, Brummy Shelley and Bobby take a holiday to Torremolinos ("Well this was paid for"). Shelley arrives in their hotel room plastered, the conversation is heated and Bobby packs his case to go home early. Clare Philbrock and Ian Potts handled the play brilliantly - they were believable and completely in control ("we are being bizarrely mature"). There are laughter-lines but the pathos of the situation was barely concealed throughout the scene, notwithstanding the biscuits in danger of upstaging! The couple move off to their bedroom ("it's a new beginning" Shelley declares - and who knows when Saturday came and England is home).
The direction of all three plays (by Howard, Alan "and the company") was of high standard. Lines were delivered well - audible and clear and whilst doing the script justice the pace was never allowed to be slack. The beauty of the 3 pieces was not only the subjects they convey but the way each of the cast suited each other as a duet in the characters they portray. Duets is a success tonight - one moment humorous, the next thought-provoking. A shame it wasn't house-full, but we certainly enjoyed the performances and the whole evening.

credits

Jonathan........................................Howard Eilbeck
Wendy...............................................Suzanne Dunster
Barrie.................................................Alan Caig
Jane....................................................Chris Eilbeck
Bobby................................................ Ian Potts
Shelley...............................................Clare Philbrock

Directedby.......................................HowardEilbeck, AlanCaig and the company.
Stage Manager.............................JanineWarre
Lighting................................................PeterTapp
Sound.................................................Keith Palmer and Ian Potts
Production Designer................Phil Keen